Media Literacy through Digital Production
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TMS produced this video to accompany the The Code of Best Practices in Fair Use for Media Literacy Education, a document released in November 2008 by The Media Education Lab of Temple University, the Center for Social Media in the School of Communication at American University, and the Program on Information Justice and Intellectual Property in American University's Washington College of Law. The document clarifies how fair use applies to the most common situations where media literacy educators make use of copyrighted materials in their work, and our video is presented on the Media Ed Lab's website with their curriculum materials help promote confident and legal use of copyrighted material in educational settings.
One of three videos produced for the report, our video demonstrates legal uses of copyrighted materials in the context of a 4th grade media education video production. It also captures the TMS production process in action on a well-integrated media education production project. The video shows a class of Title I 4th grade students search for, analyze and acquire copyrighted images and music, then "repurpose" those works to create unique videos. This production process dislodges the works from their original purpose, and transforms them into the necessary building blocks of a rich critical thinking activity.
As the Code explains, the "transformativeness" of the use of a copyrighted work is often the key legal criteria by which "fair use" is determined. A legal educational use must add value to the copyrighted material and employ it for a purpose different from that for which it originally was intended. Transformativeness can involve modifying material, putting material in a new context, or both.
Media Literacy through Digital Production shows copyrighted works being transformed through curriculum-based video production. Each image or song our students experiment with, included or deleted, changes their understanding of how media messages are constructed, and repuprposes copyrighted works into critical classroom resources for project-based learning. The availability of these works creates opportunities for educators to discuss with students how one image vs. an alternative image, or one song vs. the absence of music might be interpreted by their audience. This process does not depend on any particular image or song, but the availability of a variety of relevant images and songs to analyze and choose from. Student experimentation with these media creates teachable moments for educators to contextualize authorial intention and demonstrate how meaning is created through the decision-making process of media producers. Inclusion of any copyrighted works in student productions "repurposes" them to serve students' attempt at communicating using 21st Century media, and their understanding of how all media, new and traditional, communicate.
The abundance of searchable, downloadable images on the Internet, the accessibility of digital music, and the ease with which kids can manipulate and create with them using free, kid-friendly video editing software has given teachers low-maintenance opportunities to set up students to experiment with digital productions in the classroom. These productions are a way for educators to connect digital media that students are often comfortable and confident with to the traditional objectives of the classroom, and provide opportunities to connect the critical thinking skills of traditional literacy to media messages students are surrounded by outside of school. Media education, and the availability of digital production resources in the classroom are relatively young in their development. As educators are introduced to what is possible and legal, the potential for creative approaches to teaching and learning utilizing these resources are endless.
We hope this video helps educators understand their right to utilize copyrighted works in the education of 21st Century students with confidence that they are not committing criminal acts! Through our association with this important report we hope to play a part in encouraging more talented educators to come out of the shadows to share their lesson plans and success stories on websites like ours to grow and strengthen the field of media education.


